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'Making Monuments on Rapa Nui' at Manchester Museum

The monumental stone statues of Rapa Nui (named Easter Island by European explorers) in the Pacific are some of the most widely recognised and fascinating archaeological objects in the world. Following recent fieldwork on the island, Professor Colin Richards, an archaeologist at the University of Manchester, has worked on this new exhibition, which takes a fresh look at these impressive statues, or moai.

'Making Monuments on Rapa Nui' at Manchester Museum
Moai heads [Credit: Adam Stanford]
Making Monuments looks at how the statues and their top-knots (known as pukao) were made, the role they played in the lives of the islanders, how they were quarried and transported across the island, and what they mean. It also deconstructs some of the myths about the island, and discuss current theories about the decline of this astonishing culture.

The exhibition includes one of the statues, Moai Hava, which was collected on Rapa Nui in 1868, and is on loan from the British Museum. Moai Hava, meaning ‘dirty statue’ or ‘to be lost’ weighs 3.3 tonnes and stands 1.56 metres tall and was brought into the Museum in an operation lasting five and a half hours.

'Making Monuments on Rapa Nui' at Manchester Museum
Moai Hava and entrance to exhibition about Rapa Nui/Easter Island at Manchester Museum [Credit: Joe Gardner]
It is understood that the moai were made on Rapa Nui between AD 1100 and 1600. The size and complexity of the moai increased over time and Moai Hava is one of only fourteen moai made from basalt, the rest are carved from the island’s softer volcanic tuff. Over a few hundred years the inhabitants of this remote island quarried, carved and erected around 887 moai.

Other lenders to the exhibition include The Natural History Museum, World Museum Liverpool, the Horniman Museum, the Pitt Rivers Museum and Oxford Natural History Museum.

'Making Monuments on Rapa Nui' at Manchester Museum
Making Monuments exhibition at Manchester Museum [Credit: Joe Gardner]
Ever since the Dutch visited Rapa Nui in 1722, there has been much fascination about these massive and intriguing statues. This exhibition particularly focuses attention on a relatively neglected area of moai research; the bright red scoria (volcanic rock) pukao or top-knots which adorned the moai. The exhibition draws on the results of recent excavations at the pukao quarry inside the volcanic crater of Puna Pau. A partial reconstruction of Puna Pau in the exhibition gives a sense of the amazing achievement of the islanders, who removed over 1000 cubic metres of scoria from the crater with stone hand-held tools.

The exhibition explores the ceremonial and spiritual associations of the statues, which represented the faces of deified ancestors and the repositories of sacred spirits for the islanders, as well as looking at the ceremonial platforms (or ahu) on which the moai stood.

'Making Monuments on Rapa Nui' at Manchester Museum
Admiring the Moai in Making Monuments at Manchester Museum [Credit: Joe Gardner]
Rapa Nui has fascinated archaeologists throughout the centuries, and the exhibition investigates the work of key experts who have studied the island. These include the British archaeologist Katherine Routledge, who in 1913-14 made the first survey of the island; the Norwegian explorer Thor Heyerdahl; and Professor Colin Richards, The University of Manchester’s Professor of World Prehistory and Archaeology, who is currently investigating monumentality, as part of the AHRC-funded Rapa Nui: Landscapes of Construction project involving UCL, Bournemouth University and University of Highlands and Islands.

Professor Richards said, “Undoubtedly the massive statues of Rapa Nui have captured the popular imagination since Heyerdahl’s expedition in the 1950s. This exhibition attempts to view the monuments in a new way, exploring the qualities and significance of their composition, and in particular, an exploration of the quarry which produced the distinctive top-knots or pukao which once adorned the sacred heads of the moai’’.

The exhibition runs until 6 September 2015.

Source: Manchester Museum [August 08, 2015]

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